appeal of garage rock with a fondness for ragged, trashy psychedelia. And though they never quite matched the commercial peak of their first two singles, "Pushin' Too Hard" and "Can't Seem to Make You Mine," the band continued to record for the remainder of the '60s, eventually delving deep into post-
psychedelia and art rock. None of their new musical directions resulted in another hit single, and the group disbanded at the turn of the decade.
(born Richard Marsh
; vocals) and guitarist Jan Savage
formed the Seeds
with keyboardist Daryl Hooper
and drummer Rick Andridge
in Los Angles in 1965. By the end of 1966, they had secured a contract with GNP Crescendo, releasing "Pushin' Too Hard" as their first single. The song climbed into the Top 40 early in 1967, and the group immediately released two sound-alike singles, "Mr. Farmer" and "Can't Seem to Make You Mine," in an attempt to replicate their success; the latter came the closest to being a hit, just missing the Top 40. While their singles were garage punk, the Seeds
attempted to branch out into improvisational blues-rock and psychedelia on their first two albums, The Seeds
(1966) and Web of Sound
(1966). With their third album, Future
(1967), the band attempted a psychedelic concept album in the vein of Sgt. Pepper's
. While the record reached the Top 100 and spawned the minor hit "A Thousand Shadows," it didn't become a hit. Two other albums -- Raw & Alive: The Seeds in Concert at Merlin's Music Box
(1968) and A Full Spoon of Seedy Blues
(1969), which was credited to the Sky Saxon Blues Band
-- were released at the end of the decade, but both were ignored. The Seeds
broke up shortly afterward.
During the early '70s, Saxon
led a number of bands before retreating from society and moving to Hawaii. Savage
became a member of the Los Angeles Police Department. A collection of rarities and alternate takes, Fallin' off the Edge
, was released in 1977.