were instrumental in transforming the sounds of the hill country from a Southern music to an international phenomenon.
first came together during informal Sunday afternoon jam sessions at New York's Washington Square Park. The impetus for the group, however, had been conceived a few years before, when New York-born
at the University of Wisconsin. Inspired by
, taught himself to play.
After leaving the school,
Herald and
Weissberg moved to New York, where they were soon joined by
Bob Yellin.
Yellin had studied classical violin, piano, and vocal harmony as a child and trumpet at the High School of Music and Art. After listening to a recording of
Flatt & Scruggs,
Yellin had been converted to bluegrass and bought himself a banjo. Using
Pete Seeger's instructional record
How to Play the 5 String Banjo,
Yellin mastered the three-finger
Scruggs style of banjo picking. In 1958,
Yellin and
Mike Seeger (of
the New Lost City Ramblers) attended the Old Time Fiddlers Convention in Galax, VA, and received a second prize for their double banjo rendition of the traditional folk tune "Old Joe Clark."
Herald,
Weissberg, and
Yellin had few commercial aspirations when they formed
the Greenbriar Boys, and their performances were limited to concerts at American Youth Hostels and the Sunday sessions at Washington Square Park. When Gerde's Folk City opened,
the Greenbriar Boys were one of the first acts to play the club.
The Greenbriar Boys became more serious after
Weissberg left to join
the Tarriers and was replaced by
Paul Prestopino and then
Ralph Rinzler. A mandolin player and folklorist,
Rinzler owned a large collection of tapes that included recordings by
Riley Puckett,
Charlie Poole, and
Uncle Dave Macon.
Rinzler encouraged
the Greenbriar Boys to rehearse on a regular basis, and the group's sound began to meld. In 1960,
the Greenbriar Boys traveled to Union Grove, NC, where they became the first northern group to win the band competition at the Old Time Fiddlers Convention. A year later,
Yellin returned to the festival and became the first northerner to win first prize in the banjo competition.
1962 proved a pivotal year for
the Greenbriar Boys. In addition to accompanying
Joan Baez on two songs -- "Pal of Mine" and "The Banks of the Ohio" -- on her second album, the group was signed by Vanguard Records. After being featured along with
Jackie Washington, Bob Gude, and
Hedy West on a multi-artist sampler,
New Folks,
the Greenbriar Boys released a self-titled debut album. They subsequently released three other albums --
Ragged but Right! in 1964,
Dian & the Greenbriar Boys in 1965, and
Better Late Than Never in 1966. With
Rinzler leaving the group to accept a job as director of the folk department at the Smithsonian Institute,
the Greenbriar Boys were joined by bluegrass mandolinist and vocalist
Frank Wakefield and fiddler
Jim Buchanan on
Better Late Than Never.
The Greenbriar Boys' arrangement of "Different Drum," by
Mike Nesmith (later of
the Monkees), was re-recorded and turned into a pop hit by
Linda Ronstadt and
the Stone Poneys in 1967. However,
the Greenbriar Boys disbanded in 1967, although they have occasionally reunited in the years since.
–
Craig Harris, Rovi