. His mush-mouthed, sandpaper-rough bellow (at times recalling
) and imaginative rhymes easily made him one of the most recognizable, unpredictable MCs in the group, yet his flow was more deliberate and laid-back than
. On his solo records,
developed a persona that swung from offhand, understated menace to raucous stoner humor. Toward the end of the '90s, his frequent team-ups with
produced not only a terrific musical chemistry, but an eventual big-screen comedy team as well.
Method Man was born Clifford Smith on April 1, 1971, in Hempsted, Long Island; he split his childhood between his father's Long Island residence and his mother's Staten Island home. It was the latter locale where he met his future
Wu-Tang cohorts
RZA,
Genius/GZA, and
Ol' Dirty Bastard; when they set about forming a hip-hop collective in the early '90s,
Method Man was one of the first to sign on.
Meth was heavily featured on the group's classic late-1993 debut,
Enter the Wu-Tang (36 Chambers), even getting his own showcase track with "Method Man," which certainly put him out front in terms of name recognition. Thanks to
the Wu's innovative contract -- which allowed individual members to sign solo deals with whatever label they chose --
Method Man inked a contract with Def Jam, and in 1994, approximately one year after
Enter the Wu-Tang's release, he became the first
Wu member to release a solo album,
Tical. Highly anticipated, the album entered the charts at number four and quickly went platinum, while singles like "Bring the Pain" (which just missed the pop Top 40) and "Release Yo' Delf" made him an even bigger name in the hip-hop community. He began making numerous guest appearances on other artists' records, and in the summer of 1995, his one-off single with
Mary J. Blige, "I'll Be There for You/You're All I Need to Get By," soared into the pop Top Five, giving
Meth his first major mainstream exposure. Shortly thereafter, another duet -- this time with Def Jam labelmate
Redman -- on the compilation track "How High," climbed into the pop Top 20.
Wu-Tang Clan reconvened in 1997 for the double album
Wu-Tang Forever, and about a year later, another round of solo projects commenced.
Method Man issued his sophomore effort,
Tical 2000: Judgement Day (ironically), in late 1998 and took a more expansive approach this time out, filling the album with between-song skits and a variety of guest rappers and producers.
Tical 2000 was another hit, entering the charts at number two. Meanwhile, in addition to recording the album,
Meth had spent much of 1998 getting his acting career off the ground; after landing a few bit parts, he made his first prominent big-screen appearance in
Hype Williams' Belly. In 1999,
Meth partnered up with
Redman to form a duo act that hit the road with
Jay-Z's Hard Knock Life tour; they also entered the studio together to record the collaborative album
Blackout!, which entered the charts at number three that fall and received highly complimentary reviews.
The Wu returned in late 2000 with the lower-profile
The W. After completing the record,
Meth refocused on his acting career; in early 2001, he put in a month's worth of appearances portraying a young gangster on HBO's gritty prison drama Oz and teamed up with
Redman for the
Cheech & Chong-styled stoner comedy How High, which hit theaters toward the end of the year, around the same time as the fourth
Wu-Tang album,
Iron Flag. After numerous delays, the MC released his third solo album,
Tical 0: The Prequel, in 2004. He allegedly finished off 20 tracks with
RZA as the producer, but Def Jam opted to release a version that featured only one of those cuts. In 2006,
Meth issued
4:21... The Day After, which featured appearances from many
Wu-Tang members, including a posthumous verse from
ODB. A steady stream of mixtapes, live albums, and concert videos appeared before
Method reunited with
Redman for the 2009 album
Blackout! 2.
–
Steve Huey, Rovi