. Their music is oppressively slow and heavy, only without any of the silly mystical lyrics or the indulgent guitar solos; it's just one massive, oozing pile of dark slime. The
' first record was released in 1987; they've released many albums since then, but it wasn't until 1993 that they went to a major label, thanks to their protégé,
. While some may find
dull and repetitious, their place in rock history is interesting, even if considered to be just a footnote.
The band formed in Aberdeen, Washington, the same town that produced
Nirvana's
Cobain and
Krist Novoselic. For
Nirvana and many other Seattle-area bands,
the Melvins' sludge was inspirational; the younger bands took the
Sabbath-styled heaviness of
the Melvins, while adding an equally important pop song structure, which the group tended to lack. While all of their disciples became famous after
Nirvana broke big in 1991 (including
Mudhoney, which featured former
Melvins bassist
Matt Lukin),
the Melvins only expanded their cult slightly. They did earn a major-label contract with Atlantic, but after releasing three records for the label, they were dropped in late 1996 and the group returned to indie status, landing with Amphetamine Reptile for 1998's
Alive at the F*cker Club. The late '90s and early 21st century saw a flurry of releases by the band:
The Maggot,
The Bootlicker,
The Crybaby,
Electroretard,
The Colossus of Destiny,
Hostile Ambient Takeover,
Pigs of the Roman Empire,
Houdini Live 2005: A Live History of Gluttony and Lust, all of which (except for the fourth one) were issued on
Mike Patton's Ipecac label.
In addition to their
Melvins activities, singer/guitarist
Buzz Osborne joined
Patton (and former
Slayer drummer
Dave Lombardo and
Mr. Bungle bassist
Trevor Dunn) for the experimental outfit
Fantômas, resulting in a number of releases (1999's self-titled debut, 2001's
The Director's Cut, 2002's
Millennium Monsterwork by "the
Fantômas Melvins Big Band" (recorded live in San Francisco on New Year's Eve 2000 but not released until two years later), 2004's
Delirium Cordia, and 2005's
Suspended Animation), while
the Melvins' latest bassist,
Kevin Rutmanis, joined
Patton in another side project,
Tomahawk. In 2006,
Big Business bassist
Jared Warren and drummer
Coady Willis joined
the Melvins, appearing on that year's
Senile Animal album. The follow-ups, 2008's
Nude with Boots, 2010's
The Bride Screamed Murder, and a live album titled Sugar Daddy Live, were recorded with the same lineup and released by Ipecac. The band returned in 2012 with a stripped-down lineup, dubbed Melvins Lite, for Freak Puke, which found Crover and Osborne recording without the boys from
Big Business, instead adding standup bassist
Trevor Dunn to their roster to round out the band's already formidable bottom-end sound. Mixing things up even further, the band teamed up with a host of guests, including the likes of Jello Biafra and J.G. Thirlwell, for Everybody Loves Sausages, an album of covers that arrived in 2013.
–
Stephen Thomas Erlewine & Greg Prato, Rovi