On their debut album, Mötley Crüe essentially comes across as a bash-'em-out bar band, making up in enthusiasm what they lack in technical skill. Yet that's part of the appeal of Too Fast for Love, a chance to hear the band without the glossy production of their later, most popular work, showcasing their down-and-dirty roots. The fact that pop-metal songwriting was not really a consideration helps the album come off as more genuinely trashy and sleazy, celebrating its own grime with exuberant zest. This is the Crüe playing it lean and mean, effortlessly capturing the tough swagger that often came off a bit more calculated in later years, and it's one of their most invigorating records. [In 1999, the Crüe remastered and reissued Too Fast for Love on their own Motley/Beyond label with four bonus tracks: three interesting previously unreleased songs and a version of the title track with a different intro.]